LOGLINE
The stories you haven’t heard, from the voices that must be heard.
Raw and real, this investigative series immerses viewers in the triumphs, struggles, and spirit of indigenous life today.
SERIES SYNOPSIS
Our World, Our Nation is a bold investigative news magazine series that journeys deep into the heart of Indigenous communities across North America. With an empathetic lens and an unflinching commitment to meaningful storytelling, each episode explores a pivotal issue—ranging from economic development, to self-governance, justice reform, and language revitalization.The series spotlights visionary leaders, grassroots changemakers, and emerging opportunities in business and innovation that are reshaping Indigenous futures.From remote reservations to urban centers, Our World, Our Nation delves into the intersections of culture, politics, economy, and identity—told entirely through the voices of those living it. Raw, immersive, and unfiltered, the series delivers journalism with spirit, depth, and accountability—revealing the resilience, power, and potential of Indigenous nations today
TONE & STYLE
• Documentary-style investigative journalism series, with strong elements of immersive, human-interest storytelling.• Empathetic and exploratory: Host embeds self in
communities to understand complex, often stigmatized
or hidden aspects of Indigenous life.• Culturally sensitive and non-sensational, focusing on people’s lived experiences rather than exploiting them.• Nuanced storytelling that avoids binary thinking (e.g. good vs. bad, right vs. wrong).• Sociological lens: Explores issues like business
and development opportunities, change makers and visionaries, self governance and justice reformation.• In-depth: It’s not driven by headlines, but by understanding why people live the way they do.
COMPARABLE STYLES
• Lisa Ling’s This Is Life
• Native America (PBS)
• Fault Lines (Al Jazeera English)
• Zac Efron’s Down to Earth
• Anthony Bourdain’s Parts Unknown
(but with a social/cultural focus rather than culinary)
• Louis Theroux’s BBC docu-series
• Frontline’s in-depth, investigative approach
Target audience
Our World, Our Nation is designed for a broad yet deeply engaged audience that values meaningful, culturally sensitive storytelling. The series resonates across generations, professions, and geographies—with a particular appeal to socially
conscious viewers and Indigenous communities.
1. Socially Conscious Millennials & Gen Z (Ages 18–40)
2. Indigenous Viewers & Communities
3. Educated Professionals & Lifelong Learners (Ages 30–55)
| "This audience wants truth told through lived experience—not headlines or soundbites. | “This is storytelling by and for Indigenous people—centered in their voices, not from the outside looking in.” | “They’re not just watching—they’re using the show to think, teach, and advocate.” | ||
|---|---|---|---|---|
| Our World, Our Nation |
WHY IT MATTERS
Timely & Relevant
• Indigenous rights are at the forefront of land, climate, and political
conversations globally
• Indigenous youth, creators, and leaders are shaping a new media narrativeFills a Storytelling Gap
• Mainstream media overlooks the lived realities of Indigenous
communities. This series offers depth, nuance, and voice. Builds
empathy and understanding across communities and culturesHigh Demand, Underserved Market
• Indigenous and socially conscious audiences are growing—and
underserved by current programming.
• Timely themes resonate with both niche and mainstream viewers.Empowering, Not Exploitative
• Centers Indigenous visionaries, entrepreneurs, and leaders—redefining
identity, power, and future potential.
MEET THE TEAM
KEVIN MARTELLS
Directory Of Photography
I am a passionate, visual storyteller who is dedicated to creating compelling and immersive narratives. I have worked on video projects with Stk’emlupsemc Te Secwepemc Nation, Lac Le Ronge Indian Band, Denesuline and Saulteaux, St\’át\’imc Nation, and Lil’wat First Nation to mention a few. I have extensive experience working on IATSE film sets and with leading networks and platforms such as Hallmark, Amazon Prime, Lifetime, and Netflix in camera positions such as 1st AC, 2nd AC, Camera Operator, and Director of Photography.I have advanced knowledge of camera systems like the Alexa Mini, Red Raptor, and Sony Venice. My expertise extends beyond the camera to post-production workflows, utilizing industry-standard tools like DaVinci Resolve, Adobe Premiere Pro and Final Cut Pro to deliver polished results.
Prior to this, I worked in Broadcast TV news and sports as a video/photojournalist on a variety of
projects ranging from Emmy-winning news coverage, NFL, NBA, NHL, and MLB for CBS World News, FOX, NBC, ABC and CBC.In addition to my technical proficiency, I thrive in collaborative environments, ensuring seamless communication between creative and technical teams. As a director of photography, I bring a
commitment to excellence, a sharp eye for detail, and a passion for crafting visuals that inspire and engage audiences.
Koraleen jarvis
Producer, Creative Director
With over two decades of experience across film, television, communications, and media production, I bring a distinctive blend of creative vision, strategic insight, and production expertise to every project. As an Art Director in the film and television industry since 2016, I have overseen complex productions, managing everything from script breakdowns and legal clearances to multi-department coordination and asset fabrication—always ensuring seamless creative execution under tight timelines and budgets.In addition to on-set leadership, I have an extensive background in corporate communications, marketing, and public affairs, having worked with major corporations.Prior to this I worked in broadcast journalism, producing and reporting local and international segments including projects with Stk’emlupsemc Te Secwepemc Nation, Denesuline and
Saulteaux, St\’át\’imc Nation and Lil’wat First Nation. My deep understanding of storytelling, audience engagement, and visual design is grounded in a rich academic background, including a diploma in Broadcast Journalism, a diploma in Marketing, additional studies in Communications, Graphic Design, Interior Design, and a Bachelor of Arts in Art History and Philosophy.Whether crafting compelling visual worlds on set or shaping narratives that resonate across platforms, I bring clarity, creativity, and a strong sense of purpose to every project.
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